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leftovers.” Regarding production he recounted the following information: “I think I remember being 'pushed' to come up with 30 of the simpler chassis (Super Reverb? But it wasn't always 'cool guitar' amps, sometimes I was making Fender Rhodes Satellite amps on bent aluminum, sometimes only Champs.I remember two 'suits' from upstairs standing behind me occasionally doing time studies.
The Texas Red model uses the Celestion Vintage 30 speaker.
The V30 is known for its strong midrange and is well suited for classic rock/lead guitar.
Working at FMI – I was able to interview a fellow (who wishes to remain anonymous) who worked at Fender in 1972-73 in the amp department.
Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built.
Okay, I know you’re all just dying to skip ahead to the serial number tables but try to contain your excitement and read through the article first.